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Return to Oz (1985, Walter Murch)

Return to Oz has gumption. It’s got confidence and professionalism too, but its gumption is something different. Director Murch is making it work with what he’s got—a scale limited by budget and...

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Zone Troopers (1985, Danny Bilson)

The saddest thing about Zone Troopers is Biff Manard gives a fantastic performance and there’s no reason to see it. Nothing Manard could do would make Troopers worthwhile; it’s got so many...

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To Live and Die in L.A. (1985, William Friedkin)

If you’ve ever started watching To Live and Die in L.A. and turned it off because it’s terrible or just heard of it and thought you should see it, let me say… there’s no reason to see it. Or sit...

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The Falcon and the Snowman (1985, John Schlesinger)

The best scene in The Falcon and the Snowman is when Sean Penn tries to sell his Russian handlers—a wonderfully bemused David Suchet and Boris Lyoskin—on a coke enterprise. They’ve got embassies all...

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Ewoks: The Battle for Endor (1985, Jim Wheat and Ken Wheat)

Life is profoundly cheap in Ewoks: The Battle for Endor. The film’s ostensibly about little human orphan Aubree Miller’s adventure with her Ewok buddy Warwick Davis and the old man (Wilford Brimley)...

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Year of the Dragon (1985, Michael Cimino)

Year of the Dragon is going to be so racist it opens with a disclaimer from the distributor, Metro-Goldwyn-Mayer, basically saying they didn’t realize how racist director Cimino and co-screenwriter...

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Witness (1985, Peter Weir)

Witness has a beautifully directed scene or sequence every five to ten minutes. Just something director Weir is able to particularly nail, sometimes with John Seale’s photography’s help, sometimes with...

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Rocky IV (1985, Sylvester Stallone), the director’s cut

Sylvester Stallone’s director’s cut of Rocky IV arrives four sequels and thirty-five years after the film’s original release. Stallone says it’s for the thirty-fifth anniversary; Robert Doornick (who...

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Teen Wolf (1985, Rod Daniel)

Teen Wolf is a rather dire Wolf. The best things about the movie are James Hampton as the dad and the werewolf makeup, which seems entirely designed to allow for a stuntman to play Michael J. Fox when...

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Day of the Dead (1985, George A. Romero)

Day of the Dead is a nightmare. Occasionally literally, with writer and director Romero not afraid to rely on a recurring “it was just a nightmare” bit. But more symbolically… Day is about a group of...

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Judge Dredd’s Crime File (1985) #1

Judge Dredd’s Crime File has three stories in this first issue, all written by John Wagner. They all have good art–John Byrne, Ron Smith, Colin Wilson–they all have slightly different art. Wilson’s...

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Judge Dredd’s Crime File (1985) #2

Again, it’s an excellent issue. Eagle really puts together a great combination of Dredd–though it isn’t hard with the Smith art. He just gets better and better throughout the issue; the third manages...

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Judge Dredd’s Crime File (1985) #3

It’s an okay issue. It’s just too uneven. The first story, with art by Ian Gibson, is a flop. Gibson’s style might be how I always think of Judge Dredd–visibly British, visibly stilted. Such long...

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Re-Animator (1985, Stuart Gordon)

Re-Animator. A romantic comedy about wacky med students who contend with vindictive deans, lecherous professors and student loans. With some good, old-fashioned decapitation thrown in. No. That...

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Judge Dredd’s Crime File (1985) #4

Ron Smith only illustrates a fourth of this issue. Then “big-chin” Ian Gibson takes over for the rest. Something about Gibson’s cartoony style doesn’t work for me on Dredd. He goes too obviously to...

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Judge Dredd’s Crime File (1985) #5

Some real good art from Dave Gibbons closes this issue of Crime File. His story is the least in terms of writing–Wagner’s script is rushed–but it’s very cool to see young Gibbons on Dredd. Unlike the...

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A Nightmare on Elm Street Part 2: Freddy’s Revenge (1985, Jack Sholder)

Why is Freddy’s Revenge so bad? It shouldn’t be so bad. No mistake–it’s terrible and it’s terrible mostly because of director Sholder and lead Mark Patton. While Patton’s awful, it’d be wrong to blame...

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Heaven Help Us (1985, Michael Dinner)

In its hundred minute run time, Heaven Help Us does a number of things well. It’s beautifully edited, photographed, directed, acted. Charles Purpura’s screenplay offers a number of fantastic scenes,...

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Ladyhawke (1985, Richard Donner)

Two things about Ladyhawke without getting to the script or some of the acting. First, Andrew Powell’s music. It’s godawful; it’s stunning to see a director as competent as Richard Donner put something...

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Perry Mason Returns (1985, Ron Satlof)

The most impressive technical contribution to Perry Mason Returns has to be Dick DeBenedictis’s music. He lifts thriller style music, some horror, some whatever, then applies it to this somewhat bland...

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The Mean Season (1985, Phillip Borsos)

Somewhere in the second act of The Mean Season, the film just starts slipping and it never corrects. The opening titles, set against stormy Miami weather and a vicious (though not graphic) murder,...

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Mad Max Beyond Thunderdome (1985, George Miller and George Ogilvie)

Mad Max Beyond Thunderdome is the story of a burnt-out, desolate man who learns to live again. Sort of. It’s more the story of a burnt-out, desolate man who finds himself babysitting sixty feral...

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Fright Night (1985, Tom Holland)

So much of Fright Night is humdrum, with the occasional energy pulses whenever Chris Sarandon gets to be vampirish, I didn’t really expect it to get any better. I certainly didn’t expect director...

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Tampopo (1985, Itami Jûzô)

Tampopo is a cinematic appreciation of Japanese food culture. Writer and director Itami also has some love of cinema things, but it’s all about the food. Even when it’s played for humor. Or for...

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Enemy Mine (1985, Wolfgang Petersen)

Enemy Mine has one great performance from Louis Gossett Jr., one strong mediocre performance from Dennis Quaid, one adorable performance from Bumper Robinson (as a tween alien), and terrible...

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Love and Rockets (1982) #10

Love and Rockets #10 is a celebration. There are some original character design sketches and even a portfolio section with the pre-published work from Los Bros. Jaime opens the issue with a fourth...

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Love and Rockets (1982) #11

This issue of Love and Rockets is a weird one. Beto’s single story is a Errata Stigmata, who hasn’t had her own story in ages. Mario even gets a credit on her story, his first credit in ages. But...

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Love and Rockets (1982) #12

This issue of Love and Rockets is different from the table of contents–no Mechanics, no Locas. Jaime’s doing a Rocky and Fumble and it’s in between two Palomar. And these are kind of different Palomar...

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Love and Rockets (1982) #13

There’s no resolution to the Rocky and Fumble this issue, but Locas is back. Right away, with Roy Cowboy (a comic strip character who’s had a couple appearances in non-Locas stuff from Jaime)...

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Love and Rockets (1982) #14

An American in Palomar wraps up this issue and it’s not really like the first installment at all. Beto still has some stuff from the American photographer’s perspective, but it’s much more a regular...

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Police Story (1985, Jackie Chan)

Much of Police Story operates on charm. If it’s not co-writer, star, and director Jackie Chan’s charm, it’s charm of the scenes. There are some painfully uncharming moments–mostly Chan’s frequent...

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Peanuts (1965) s01e28 – Snoopy’s Getting Married, Charlie Brown

Right after Snoopy decides to get married–appropriate since the special’s titled Snoopy’s Getting Married, Charlie Brown–Charlie Brown (Brett Johnson) worries about how Snoopy will handle the...

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